![]() But I just knew, somewhere in me, I wanted to be a creator. I’m about to be in my mid-20s, or whatever it is. I’m going to be broke, and I can’t go back to college. Because it’s a hard time, when you’re an artist, to really take that final leap - the one where you’re like, “I’m going to do this. I was a late bloomer when I started making music and actually realized I could do this for a living. Then you have to get your bike fixed by some Punjabi guys in the desert, and you have to walk five miles to find some wire to tie your bike up.Īnd how did you finally arrive at the conclusion that you were destined to make music? All of a sudden, someone in a big, giant monster truck carrying supplies just runs into a cow in front of you, and it just explodes, and you have to go off the road. And you can’t throw anybody into a more wild situation than India, especially 20 years ago, when I went. It was my first real trip outside of the country. And I think that’s what India did for me. I didn’t know what I was going to do, and I just know that I needed to become me, in some way. There wasn’t a community for that, but I loved it. Then, in Orlando and Daytona, I was experimenting with music. Not a small town, but it’s definitely not a cosmopolitan city, by any means. I was born in the South, in Mississippi, but I would attribute my life to Florida, and towns like Fort Lauderdale. I think, more than anything, I just needed to live life. It’s counterintuitive, to me, that you would build a huge electronic music career by moving to India. And that’s where your career sort of took root, is that correct? I mean there’s nothing else like that - where the whole world is just thrown into one little box for a weekend. But when you’re younger, I mean, that many acts in one place? And then you’re next to Justin Bieber and you’re next to Elon Musk. After one day, I was just like, “I got to get out of here.” He definitely felt like the old guy that was trying to leave Coachella. I suspect a lot of people, like you, don’t really want to be there, and maybe he was just reflecting that onstage. He doesn’t really care about his fans, to give them a concert. I really think he just doesn’t really care about shows. He has one of the best voices I’ve ever heard. I think I was a little older when Frank Ocean came out. I didn’t see his show, because I’m not a huge fan. It was a show where the ice rink didn’t work and that’s all it needs to be. I don’t think Frank Ocean’s concert needs to be the best or worst anything. What do you make of what happened there with Frank Ocean? We made music after I saw his show.Įven the headliners they do book don’t show up. He’s this really nice Indian guy I met there. But the rest of it just felt like they had to scramble to find things that were cultural touchstones, but also could bring a big crowd in. ![]() have a hard time, because I think there’s not a lot of really culturally relevant new acts. Now they book acts like Bad Bunny and Blackpink, who are cool, but they’re just the most Top 40 there is. We kind of left the era of great superhero acts, like the Red Hot Chili Peppers or Daft Punk. I think they honestly might be having a hard time booking headliners. Over the years, the festival has become more electronic and more crossover. I think I once said on Jimmy Fallon, “Coachella is the Influencer Survivor.” This year felt like that more than ever. I love going with the general population and seeing new bands. This is the oldest I ever felt at Coachella. I think I’m a little too old for Coachella, though. I saw pictures of you at Coachella the first weekend. ( Sean Penn plays Johnny Blue Skies in the music video - more on that later.)ĭiplo caught up with The Hollywood Reporter ahead of his Stagecoach appearance as Thomas Wesley to talk about aging out of music festivals, his unusual path to dance music supremacy and what inspired him to take LSD before running the L.A. The second, “ Use Me (Brutal Hearts),” lured Sturgill Simpson (singing as “Johnny Blue Skies”) out of hiding after a five-year absence. The first single, “ Wasted,” features Kodak Black and Zoe Wetzel. 'Home Alone,' 'Terminator 2,' 'Love & Basketball,' 'Desperately Seeking Susan,' 'Fame,' 'Apollo 13' Enter National Film Registry The sequel, Diplo Presents Thomas Wesley: Chapter 2 - Swamp Savant (out April 28 on Columbia), sees the superstar DJ once more adopt his western persona Thomas Wesley and team up with some of the biggest names in country and hip-hop for a new brand of Americana. That’s in addition to releasing chart-topping music under his own name and through an ever-growing list of collaborative projects with names like Major Lazer, Jack Ü, Silk City and LSD.īut for his next sonic adventure, Diplo, 44, dons a stetson and returns to the rustic landscape of his 2020 release, Diplo Presents Thomas Wesley, Chapter 1: Snake Oil. ![]() Diplo has written and produced hits for everyone from Beyoncé to Justin Bieber, Madonna to Britney Spears.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |